![]() Hope this conveys just what this old fat-pixel back can do in terms of portraiture. As soon as I could find-and afford-another Sinarback on my return, I snapped it up, but I use it on a Hasselblad here.) (This was actually shot with my first Sinarback 54M and the Mamiya RZ67 plus 180mm W-N lens I had to sell the camera and the back to help fund my move back to the US. The area of the image is approximately 1.5 x 1.2 inches.) (Shot with the 120mm Makro-Planar and the Auto Bellows this was a test shooting a coffee sack I have hung up on my wall. (Shot with the 150mm Sonnar, wide open, with extension tube.) (Shot with the 120 Makro-Planar-the same lens Platon uses, with his style of lighting.) ![]() (I *think* this was shot with the 180 Sonnar and an extension tube.) These have had a bit of Nik Sharpener applied to them, but it's just building on what's there. El Tamron 16-300mm f/3.5-6.3 es un lente versátil que se puede utilizar para muchos propósitos, desde macro tomas de insectos hasta impresionantes fotografías de vida silvestre de grandes mamíferos. If you'd like to see what it can do, here are a few full-resolution samples I've got stashed on my website. I'm very happy with the resolution, and the skin tones-most of my clients are black, because of my location, and it does a far, far better job of getting the skin tones right than my Nikon D810, which tends to make black people very orange-y without some rather strenuous correction. And if I'm shooting tight head shots of someone interesting, I use the 180mm/F4.0 CFi Sonnar (a truly stunning lens). It's hitched to a Hasselblad 553ELX, mostly shooting the 80mm/F2.8 CF Planar, the 120mm/F4.0 CFi Makro-Planar, and the 150mm/F4.0 CF Sonnar. Sorry I'm a bit late to the party, but I'm currently using a fat pixel back (Sinarback 54M, 2004 vintage, I believe) with the Kodak 22-megapixel sensor in my portrait studio in West Orlando.
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